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  1. Mapping the Aesthetic Mind: John Dennis and Nicolas Boileau.Ann T. Delehanty - 2007 - Journal of the History of Ideas 68 (2):233-253.
    This essay shows how two early modern literary critics, John Dennis and Nicolas Boileau, sought to map out how the mind came to know the transcendental aspects of a literary work, specifically poetry. Both theorize a non-rational faculty rooted in sensible experience which is able to gain knowledge outside of reason's grasp. The essay argues that each writer uses a religious model to describe the profoundest intellectual effects of poetry. This appropriation of a religious model, however, results in an inability (...)
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    Morality and Method in Pascal's Pensees.Ann T. Delehanty - 2004 - Philosophy and Literature 28 (1):74-88.
    This essay argues that Pascal's work both questions the accuracy of perspective in an infinite universe, and describes a model for moral truth that escapes the limitations of perspective. This model, rooted in Christianity, requires a total reorientation of approach towards moral truth. By asserting the limits of rational method, making use of recent scientific developments, and constructing a new model for moral truth, Pascal's work sought to update the role of Christianity to be not only consonant with the secular (...)
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    Literary Knowing in Neoclassical France: From Poetics to Aesthetics.Ann T. Delehanty - 2012 - Bucknell University Press.
    This book, spanning the years 1650–1730 in France and England, looks primarily at the history of literary criticism during that period in order to show how the rising interest in the sublime pushes literary critics to entirely alter their approach to theorizing works of literature. It provides a new approach to understanding how eighteenth-century aesthetic theories are indebted to seventeenth-century religious, philosophical, and literary ideas.
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    Morality and method in Pascal's.Ann T. Delehanty - 2004 - Philosophy and Literature 28 (1):74-88.
    : This essay argues that Pascal's work both questions the accuracy of perspective in an infinite universe, and describes a model for moral truth that escapes the limitations of perspective. This model, rooted in Christianity, requires a total reorientation of approach towards moral truth. By asserting the limits of rational method, making use of recent scientific developments, and constructing a new model for moral truth, Pascal's work sought to update the role of Christianity to be not only consonant with the (...)
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